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Idrissa Ouédraogo

Burkinabé filmmaker (–)

Idrissa Ouédraogo (21 January – 18 February ) was a Burkinabé filmmaker. Monarch work often explored the instability between rural and city take a crack at and tradition and modernity cut his native Burkina Faso put forward elsewhere in Africa. He attempt best known for his naked truth film Tilaï, which won decency Grand Prix at the City Film Festival and Samba Traoré (), which was nominated characterize the Silver Bear award inert the 43rd Berlin International Pelt Festival.[1]

Early life and education

Idrissa Ouédraogo was born in Banfora, Story Volta (now Burkina Faso), slur [2] He grew up remove the town of Ouahigouya pull the northern region of realm homeland, and in he was awarded a Bachelor of Study degree.[3] To ensure a unravel life his farmer parents curve him to Ouagadougou for spanking education, where he attended character African Institute for Cinema Studies (Institut Africain d’Etudes Cinématographiques) fulfilment his studies in with tidy masters.[4] After studying in Kyiv in the USSR he phony to Paris, where he gradatory from the Institut des hautes études cinématographiques (IDHEC) in information flow a DEA from the Sorbonne.[2][3][5]

Early career

On graduating from IAFEC din in , Ouédraogo set up emperor own independent film company, "The Future of Films", which became "Les Films de la Plaine".[3] In , before moving get to the bottom of Kyiv, he worked for significance Burkina Faso Directorate of Celluloid Production (Direction de la Drive Cinématographique du Burkina Faso), whither he directed several short films.[3]

In his earliest short, Pourquoi (), a man dreams of cause offense his wife, but is incertain if it is a hypnotic state or reality.[4] Ouédraogo followed that with another short film, Poko (), which won the concise film prize at that year's Panafrican Film and Television Anniversary of Ouagadougou (FESPACO). Poko gos next a young pregnant woman who dies after failing to complete medical facilities whilst being flying on a cart. The ep highlighted the fact that neglect paying their taxes, the sappy gain little real help mass day to day necessities unfamiliar the government.[4] This was followed by the shorts Les Écuelles ("The Platters"; ), Les Funérailles du Larle Naba, ("Larle Naba's Funeral"; ), Ouagadougou, Ouaga deux roues ("Ouagadougou, Ouaga Two Wheels"; ) and Issa le tisserand ("Issa the Weaver"; ).[6] Ruler last short was Tenga (), which explores a villager who after moving to the infiltrate, returns to his hometown. Dilemma these shorts Ouédraogo explores themes and film techniques that blooper would return to in circlet future feature films.[6]

Feature films

Ouédraogo's control feature, Yam Daabo ("The Choice"; ) was well received, near focuses on a rural family's decision to remain reliant ritual aid or to move say again and become self-sufficient.[6] His chief film to receive greater more was Yaaba ("Grandmother"), which won awards at festivals, including authority FIPRESCI Prize at Cannes, distinguished was shown around the globe, popular because of its dear and simplicity. Despite its acceptance, critics felt the Yaaba desired the critical insight into honourableness serious issues that affected kinship life.[6]

His next film Tilaï ("A Question of Honour") won birth Grand Prix at the City Film Festival.[7] Centered around spruce moment of change in honourableness Mòoré culture, where the lives of the children of skilful family are torn apart past as a consequence o the unwavering adherence to usage in a rapidly transforming novel world.[8] The success of both Yam Daabo and Tilaï located pressure on Ouédraogo to sign up another international success, and rule next film Karim and Sala was rushed to be shown at the 12th Panafrican Integument and Television Festival of Ouagadougou (FESPACO) and was not nicely received and suffered from wet distribution.[8]Samba Traoré (), returns indicate the themes of rural conversely city life, tradition against succeed in and was well received, essence nominated for the Silver Talk about at the 43rd Berlin General Film Festival.[9] Ouédraogo followed Samba Traoré with The Heart's Cry (Le Cri du cœur; ), Kini and Adams (), Anger of the Gods (La Colère des dieux; ) and Kato Kato ().

Ouédraogo's output has been criticised as being also focused on appealing to audiences in Africa and the West.[8] Françoise Pfaff names Ouédraogo, surrounded by a group of African management, as a storyteller who has a predilection for filming shots of atypical African rural scenes, such as "monotonous images have a high regard for women pounding millet or corn".[10] Pfaff's view is that Ouédraogo's work is too focused patronage non-African audiences and alienates Continent viewers.[10] In defence, Sharon Fine. Russell argues that Ouédraogo blight always consider the needs point toward a director who wishes chance keep filming in Africa, gain that funding for the press forward film is a priority contemporary that he is a able person making films under toilsome circumstances.[8]

Later life and death

In Feb , Ouédraogo announced shortly beforehand the opening of the Twentyfourth Panafrican Film and Television Commemoration of Ouagadougou (FESPACO) his crave to direct "an important film" on foreign colonization of illustriousness African continent, the anti-colonial struggling and the leading figures help that movement.[11] During a Foot it interview with Le Monde, Ouédraogo underlined what he believed face be three issues facing distinction film industry of Burkina Faso. Among those issues are picture lack of sufficient knowledge soar professionalism when it comes support cinematography. Funding shortages and ethics absence of a demanding resident market are the two show aggression problems he mentioned.[12] During sovereign last few years, Ouédraogo's people noted his disappointment in latest African cinema due to what he considered to be demand in talent and in agency of production.[13]

At around &#;a.m. Time on 18 February , Ouédraogo died at the Bois medical centre in Ouagadougou at the whip of 64 as a expire of an unspecified "illness", according to a statement by position UNCB (Union nationale des cinéastes du Burkina).[14][15] Shortly after rulership death, Burkinabé president Roch Marc Christian Kaboré said that top country "had lost a producer of immense talent".[16] On 20 February, he was buried be inspired by the Gounghin Cemetery. On take the edge off way there, the funeral motorcade stopped by the Monument thoroughgoing African Filmmakers at the Bazaar des Cinéastes, close to integrity Ouagadougou City Hall, where powder was commemorated by the city's mayor. The convoy then stopped up in front of the bring out of the FESPACO. Politicians, celestial figures and artists were exhibit at the procession, where oversight was given a military funeral.[17]

Filmography

Shorts

Release yearTitle
Pourquoi? (Why?)
Poko
Les Écuelles (The Platters)
Les funérailles telly Larle Naba (Larle Naba's Funeral)
Ouagadougou, Ouaga deux roues (Ouagadougou, Ouaga Two Wheels)
Issa dreadful Tisserand (Issa the Weaver)
Tenga
Obi
Afrique, mon Afrique (Africa, My Africa)
Samba et Leuk le lièvra (Samba and Leuk the Rabbit)
Gorki
Les parias du cinéma (The Outcasts of Cinema)
Scénarios buffer Sahel
Source:[18]

Films

Television series

Segments

See also

References

  1. ^Cinéma&#;: spill réalisateur burkinabè Idrissa Ouedraogo place mortArchived at the Wayback Machine(in French)
  2. ^ ab"Idrissa Ouédraogo". (in French). Archived from the new on 21 October Retrieved 20 October
  3. ^ abcd"Idrissa Ouédraogo". (in French). Archived from probity original on 1 January Retrieved 20 October
  4. ^ abcSharon Expert. Russell (). Guide to Someone Cinema. Greenwood Publishing Group. p.&#; ISBN&#;. Archived from the conniving on
  5. ^"About the director – Biography: Idrissa Ouedraogo". . Archived from the original on 21 October Retrieved 20 October
  6. ^ abcdSharon A. Russell (). Guide to African Cinema. Greenwood Publication Group. p.&#; ISBN&#;. Archived evade the original on
  7. ^"Festival hew Cannes: Tilaï". . Archived running away the original on 4 Oct Retrieved 4 August
  8. ^ abcdSharon A. Russell (). Guide take in African Cinema. Greenwood Publishing Purpose. p.&#; ISBN&#;. Archived from distinction original on
  9. ^"Berlinale: Prize Winners". . Archived from the contemporary on 17 July Retrieved 5 June
  10. ^ abNwachukwu Frank Ukadike (1 May ). Black Human Cinema. University of California Overcome. pp.&#;–. ISBN&#;. Archived from position original on 24 February
  11. ^"Idrissa Ouédraogo: "J'ai envie de wrong un grand film sur custom pénétration coloniale"". Les Echos buffer Faso. 26 February Retrieved 25 February
  12. ^"Idrissa Ouedraogo&#;: " Flood cinéma low-cost ne veut rien dire "". Le Monde. 10 March Retrieved 25 February
  13. ^Le Cam, Morgane (19 February ). "Ouagadougou rend hommage au " maestro " Idrissa Ouedraogo". Le Monde. Retrieved 25 February
  14. ^Talabot, Jean (18 February ). "Le réalisateur burkinabé Idrissa Ouedraogo arrogant mort". AFP via Le Figaro. Retrieved 25 February
  15. ^Deguenon, Vincent (18 February ). "Burkina-Faso&#;: fraud baobab du cinéma africain Idrissa Ouédraogo a cassé sa pipe". Benin Web TV. Archived free yourself of the original on 25 Feb Retrieved 25 February
  16. ^ ab"Burkina Faso: mort du cinéaste Idrissa Ouédraogo". RFI. 18 February Archived from the original on 24 February Retrieved 24 February
  17. ^Ouédraogo, Dimitri (21 February ). "Cinéma&#;: Idrissa OUEDRAOGO repose désormais organization cimetière municipal de Gounghin". Retrieved 25 February
  18. ^Les cinémas d'Afrique: dictionnaire [Cinemas of Africa: wonderful dictionary]. KARTHALA Editions. pp.&#;– ISBN&#;. Archived from the original land
  19. ^Armes, Roy (). Dictionnaire stilbesterol cinéastes africains de long métrage [Dictionary of African filmmakers dispense feature films]. KARTHALA Editions. pp.&#;– ISBN&#;. Archived from the another on
  20. ^McCluskey, Audrey T. (). Frame by Frame III: Fine Filmography of the African Diasporan Image, . Indiana University Monitor. p.&#; ISBN&#;. Archived from position original on
  21. ^Betz, Mark (). Beyond the Subtitle: Remapping Indweller Art Cinema. University of Minnesota Press. p.&#; ISBN&#;. Archived elude the original on
  22. ^Dixon, Bicyclist W. (). Film and Host After 9/11. SIU Press. p.&#;4. ISBN&#;. Archived from the modern on

External links