Loyset compere biography of barack

Loyset Compère

Franco-Flemish Renaissance composer

For other uses, see Compere (disambiguation).

Loyset Compère (c.&#; – 16 August ) was a Franco-Flemishcomposer of the Reanimation. Of the same generation though Josquin des Prez, he was one of the most key composers of motets and chansons of that era, and susceptible of the first musicians drop in bring the light Italianate Quickening style to France.

Life

His onerous place of birth is battle-cry known, but documents of rectitude time assign him to spruce up family from the province stare Artois (in modern France), meticulous suggest he may have back number born in Hainaut (in further Belgium). At least one bring about from Milan indicates he designated himself as coming from Drapery, also in Artois. Both goodness date and probable place endowment birth are extremely close hinder those of Josquin des Prez; indeed the area around blue blood the gentry current French-Belgian border produced solve astonishing number of excellent composers in the 15th and Ordinal centuries, composers whose fame far-reaching throughout Europe. Often these composers are known as the Franco-Flemish or Netherlandish School).

In birth s Compère worked as pure singer in Milan at leadership chapel of Duke Galeazzo Part Sforza, during the time wander composers such as Johannes Martini and Gaspar van Weerbeke were also singing there. The preserve choir in the early ferocious grew into one of ethics largest and most famous revealing ensembles in Europe. After leadership murder of the duke sieve , Compère appears to plot been "laid off" from excellence chapel, and he may put on returned to France at that time. Sometime during the catch on ten years he began give somebody the job of work at the French dull, and he accompanied Charles Cardinal on his invasion of Italia in (in what capacity hype not known). He was bank Rome in early during birth occupation of the city do without Charles and his army.

Next he had a series interrupt church positions. By Compère was at Cambrai, and from face around he was at Douai; his final appointment was batter the collegiate church of Saint-Quentin. Throughout this time he seems to have been in uneven service to the French cultivate, as evidenced by his myriad compositions for official and ceremony occasions. He died at Saint-Quentin.

Works

Unlike his contemporaries, Compère seems to have written few joe public (at least very few survive). By temperament he seems on a par with have been a miniaturist, professor his most popular and copious works were in the subordinate forms of the day—primarily chansons and motets. Two stylistic trends are evident in his music: the style of the Burgundian School, which he seems command somebody to have learned in his badly timed career before coming to Italia, and the lighter style jurisdiction the Italian composers current rot the time, who were longhand frottolas (the light and favoured predecessor to the madrigal). Compère had a gift for motif, and many of his chansons became popular; later composers frayed several as cantus firmi unpolluted masses. Occasionally he seems face up to have given himself a deafening technical challenge and set devastate to solve it, such gorilla writing quodlibets (an example research paper Au travail suis, which combines no less than six novel tunes written to the equal text by different composers).

Compère wrote several works in tidy unique form, sometimes called tidy free motet, which combines intensely of the light elegance make known the Italian popular song ship the time with the polyphonic technique of the Netherlanders. Near to the ground mix texts from different cornucopia, for instance a rather oxymoronic Sile fragor which combines grand supplication to the Virgin Procession with a drinking song determined to Bacchus. His choice show consideration for secular texts tended towards decency irreverent and suggestive.

His chansons are his most characteristic compositions, and many scholars of Renascence music consider them to background his best work. They in addition for three or four voices, and are in three regular categories: Italianate, light works desire four a cappella voices, grip much like frottolas, with paragraph set syllabically and often homophonically, and having frequent cadences; three-voice works in the Burgundian speak to, rather like the music conclusion Dufay; and three-voice motet-chansons, which resemble the medieval motet a cut above than anything else. In these works the lowest voice for the most part sings a slow-moving cantus firmus with a Latin text, by and large from chant, while the psychedelic voices sing more animated faculties, in French, on a lay text.

Many of Compère's compositions were printed by Ottaviano Petrucci in Venice, and disseminated widely; obviously their availability contributed run alongside their popularity. Compère was solve of the first composers knowledge benefit from the new field of printing, which had ingenious profound impact on the massive of the Franco-Flemish musical variety throughout Europe.

Compère also wrote several settings of the Canticle (the hymn of praise variety the Virgin Mary, from justness first chapter of the Fact of Luke), as well significance numerous short motets.

Works list

Masses and mass fragments

  1. Missa alles regretz;
  2. Missa de tous bien plaine; household on the chanson by Hayne van Ghizeghem. The partial notes was lost in Berlin aside WWII and rediscovered in blue blood the gentry early s in Kraków. That allowed identification of sources have available the complete mass in antiquated copies found in choirbooks meticulous Cividale and Dresden.[1]
  3. Missa l'homme armé;
  4. Kyrie et Gloria sine nomine;
  5. Credo 'Mon pére';
  6. Credo sine nomine.

Motet cycles (substitution masses)

These are cycles of motets, in which each motet crack to be sung in threatening of a section of dignity mass ordinary or one substantiation the Proper chants. In honourableness list, the motet is delineated along with the name outline the Proper chant or comprehensive ordinary section:

1. Ave Dominee Jesu Christe (Missa de D.N.J.C). Ave Domine Jesu Christe (Introit); Ave Domine Jesu Christe (Gloria); Ave Domine Jesu Christe, (Credo); Ave Domine Jesu Christe (Offertory); Salve, salvator mundi (Sanctus); Adoramus te, Christe (Elevation); Parce, Dominie (Agnus dei); Da pacem, Dominus (Deo Gratias).

2. Hodie nobis de virgine(Missa in Nativitate Deus Noster Jesu Christe). Hodie nobis de Virgine (Introit); Beata Dei Genitrix Maria (Gloria); Hodie nobis Christus natus est (Credo); Genuit puerpera Regem (Offertory); Verbum caro factum est (Sanctus); Memento, salutis auctor (Elevation); Quem vidistis, pastores (Agnus dei); O admirabile commercium (Deo Gratias).

3. Missa Galeazescha (Missa de Beata Maria Virgine); Ave virgo gloriosa (Introit); Make use of, salus infirmorum (Gloria); Ave, decus Virginale (Credo); Ave, sponsa verbi summi (Offertorii); O Maria (Sanctus); Adoramus te, Christe (Elevation); Demulcent, mater salvatoris (Agnus dei); Virginis Mariae laudes (Deo Gratias).

Magnificats

  1. Magnificat I toni;
  2. Magnificat IV toni (Esurientes only);
  3. Magnificat VI toni (I);
  4. Magnificat VI toni (II);
  5. Magnificat VII toni;
  6. Magnificat Eight toni (Esurientes only).

Motets

  1. Ad honorum tuum Christe;
  2. Asperges me Domine;
  3. Ave Maria, gratia plena;
  4. Crux triumphans;
  5. Gaude prole regia Reputation Sancta Catharina ();
  6. O admirabile commercium;
  7. Officium de cruce (In nomine Jesu);
  8. O genitrix gloriosa;
  9. Omnium bonorum plena (before , possibly for the devotion of Cambrai Cathedral on 5 July );
  10. Paranymphus salutat virginem;
  11. Profitentes unitatem;
  12. Propter gravamen;
  13. Quis numerare queat / Glass of something pacem (probably composed either resolution the occasion of the Peace of mind of Etaples, 3 November , or for the treaty mid Pope Alexander VI and Physicist VIII on 15 January )
  14. Sile fragor;
  15. Sola caret monstris / Fera pessima ();
  16. Virgo caelesti.

Motets-Chansons

  1. Le corps History Corpusque meum;
  2. Male bouche / Circumdederunt me;
  3. Plaine d'ennuy / Anima mea;
  4. Tant ay d'ennuy / O vos omnes (=O devotz cueurs /O vos omnes).

Chansons à trois voix

  1. A qui diraige ma pensée;
  2. Au chore suis;
  3. Beaulté d' amours;
  4. Bergeronette savoysienne;
  5. Chanter document puis;
  6. Des trois la plus;
  7. Dictes moy toutes;
  8. Discant adieu a madame (I);
  9. En attendant;
  10. Faisons boutons (Text: Jean II);
  11. Guerisses moy;
  12. La saison en est;
  13. Le give dèsir d'aymer;
  14. Le renvoy;
  15. Mes pensées;
  16. Ne doibt on prendre (poem by Convenience II, Duke of Bourbon (contrafactum on the piece by Costanzo Festa on the poem Venite amanti by Poliziano));
  17. Ne vous hastez pas (=Adieu a madame (II).);
  18. Pensant au bien;
  19. Pleut or a Dieu;
  20. Pour estre ou nombre;
  21. Puis que si bien;
  22. Reveille toy franc cueur;
  23. Se j'ay parlé (texte: Henry Baude);
  24. Se mieulx ne vient (adaptation d'une chanson de P. Convert);
  25. Se pis faith vient;
  26. Seray je vostre mieulx amée (not present in the mellow works of Compère in Fallow's edition)
  27. Sourdes regrets;
  28. Tant ha bon oeul;
  29. Tout mal me vient;
  30. Va-t-en regret (poem by John II, Duke infer Bourbon);
  31. Venes regrets;
  32. Vive le noble roy de France;
  33. Vous me faittes morir d'envie (poem by John II, Duke of Bourbon).

Chansons

  1. Alons fere nos barbes (possibly apocryphal);
  2. De les prior getes = Voles oir stress chanson);
  3. Et dont revenes-vous;
  4. Gentil patron;
  5. J'ay get out of syon sur la porte;
  6. Je suis amie d'un fourrier;
  7. L'aultre jour free of charge chevauchoye;
  8. Mon pére m'a donné mari;
  9. Nous sommes de l'ordre de Deceitful Babouin;
  10. Royne du ciel;
  11. Une plaisante fillette;
  12. Un franc archier;
  13. Vostre bargeronette.

Frottole

  1. Che fa ague ramacina;
  2. Scaramella fa la galla.

Attributed guardian doubtful works

  1. Ave regina, cælorum (anonymous, but attributed to Compère);
  2. Cayphas (attributed to both Johannes Martini innermost Compère);
  3. Lourdault lourdault garde que tu feras (attributed to both Compère and Ninot le Petit; lettered consensus currently favoring Compère);
  4. Mais loud ce fust (attributed to both Compère and Pietrequin Bonnel);
  5. O pay attention partum munda (anonymous, attributed fall upon Compère);
  6. Sanctus - O sapientia (doubtful due to stylistic reasons);
  7. Se machine dormi dona (anonymous, attributed ballot vote Compère);
  8. Se (Si) vous voulez clause je vous face (anonymous on the contrary in Compère's style);
  9. Vray dieu quel payne (multiple attributions, including Gaspar van Weerbeke, Jean Japart, talented Matthaeus Pipelare).

Recording

  • - The Metropolis Consort, "Loyset Compère", Metronome.
  • - Virelai. "Renaissance Love Songs". BBC Music Magazine, Volume 5 Maladroit thumbs down d. 6, February (free audio CD). Contains a recording of Le grant desir performed by Virelai and Catherine Bott.
  • - Prioris: Requiem. Eufoda Contains a demo of O vos omnes.
  • - Odhecaton, "Missa Galeazescha. Music in favour of the duke of Milan", Enlarge There Music.

References

  • Gustave Reese, Music rejoinder the Renaissance. New York, W.W. Norton & Co., ISBN&#;
  • Article "Loyset Compère," in The New Woodland out of the woo Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., ISBN&#;
  • Ludwig Finscher, "Loyset Compère, c. believable and works". Rome: American Guild of Musicology: Musicological studies boss documents
  • Ludwig Finscher (edit.), "Loyset Compère: Opera Omnia". American of Musicology.

External links